Malik Gallery Collection

Round Tulip Dining Table - H 28" Dia 48"

Round Tulip Dining Table - H 28

Specifications

Tulip table with white, black or silver lacquered cast aluminum base. Laminate, marble, solid oak, or porcelain top. Glossy or matte finish on base. Marbles are available in matte or glossy finish. Porcelain tops are always matte in finish.

ITEM NUMBER

MC-T-1703

DIMENSIONS

Height: 28¼"
Diameter: 48¼"
Weight: 99/192 lbs.

PRICING

Black or White Laminate $2,561
White Carrara (n) $3,075
Carrara Statuarietto (n), Nero Marquina (n) $3,594
Arabescato Vagli (n) $3,779
Calacatta Oro (n) $5,236
Verdi Alpi (n) $3,463
White Carrara (c) $4,320
Black Marquina (c) $4,726
Emporador Dark (c), Bianco Arabescato (c) $5,078
Calacatta Oro (c) $6,886
Wood $4,054
Dekton Porcelain $5,177

NOTES

In stock in white laminate or white glossy Carrara (n). n - natural stone sealed and waxed, c - stone sealed with polyester coat.

Malik Gallery Collection

Round Tulip Dining Table - H 28" Dia 48"

top

laminate

black-laminate.jpg
laminate-white.jpg

marble

Arabescato vagli.jpg
Bianco Carrara natural.jpg
Calacatta Oro.jpg
Carrara statuarietto.JPG
Emporador Dark.jpg
Nero Marquina.jpg
Verdi Alpi.jpg

porcelain

3/4" thick porcelein top by Dekton.

dekton moone.jpg
dekton sirius.jpg

wood

Solid oak. Natural, stained or lacquered.

natural oak.jpg
oak black lacquered.jpg
oak cherry lacquered 5078.jpg
oak dark walnut stain 5065.jpg
oak light walnut stain 5026.jpg
oak mocha lacquered 5125.jpg
oak palisander stain 5135.jpg

base

glossy-black.jpg
glossy-white.jpg
matte-black.jpg
matte-silver.jpg
matte-white.jpg
Malik Gallery Collection

Round Tulip Dining Table - H 28" Dia 48"

COLOR OPTIONS

Designer

Eero Saarinen

(1910 - 1961) Born in Kirkkonummi, Finland. Saarinen studied in Paris and at Yale University, after which he joined his father's practice. Eero initially pursued sculpture as his art of choice. After a year in art school, he decided to become an architect instead. Much of his work shows a relation to sculpture. Saarinen showed a marked dependence on innovative structures and sculptural forms, but not at the cost of pragmatic considerations.